Filmed on the Sony A7S, on a Ronin, with an SLR Magic Anamorphot 1.33x and a Rangefinder. The video was filmed in a nightclub in Yorkshire, 2 red head lights were used for lighting and the light from these was deliberately in shot to create a lot of flare. The video features the soul singer,…
Here’s an awesome video created by Dinh Thai. Make sure to check out and subscribe to Dinh Thai’s Youtube Channel. Sony A7sS-Log2, ITU709 Matrix, +5 Saturation, Exposure 1.3-1.7 stops over. Minor Premiere Pro color tweaks. CINEMA 29 with Yellow Tint and Blue AFF. If you have awesome content make sure to submit it here.
Shot on CINEMA 29 / Medium Oval Aperture Filmed and Edited by Saranne Bensusan. Directed by Lawrence Mallinson. fromthe3rdstoryproductions.co.uk/
CINEMA 85 has been in development for quite a while (about 2 years). With CINEMA 85, our focus has always been to develop an independent prime lens system that’s both faster (f1.8) and sharper than CINEMA 58 and miles ahead CINEMA 29. We believe that we’re very close to achieving our goal and would like…
An awesome music video shot by Ian Hudson in Bradford Tunnels. Twitter: @P13DigitalMedia Shot By Ian Hudson Twitter: @P13DigitalMedia Equipment: Sony A7SII Cinema 58: Mono Yellow Coating / Thin Oval Aperture SLR Magic Anamorphot 1.33x / Range finder Attached Shot at 4k Resolution / Downscaled to 1080p http://www.kascarade.com @kascarade2010
Cinema 58 Single Light Green Test Here is a short test made with Cinema 58 with a single Light Green Coating and a variable octagon aperture installed. No colour grading or correction has been added to this video. Shot on RAW. Saturation and Clarity were increased to +13 upon import into After Effects with Adobe…
Achieving sharp focus on manual lenses can be tricky but by using the basic features on modern digital cameras, sharp focus needn’t be a hassle. This article is primarily aimed at artists who are accustomed to digital AF lenses and are relatively new to manual lenses. For filmmaking pros, this article may seem a bit…
CINEMA 58 BLUE OPTICAL COATING, VARIABLE APERTURE TEST FOOTAGE UNGRADED Cinema 58, Blue Optical Coating, Variable Aperture. Cinema 58 Production Lens Shot on 5d MKII RAW. No colour grading applied, some colour information brought back using the infinity curve technique in Premiere Pro. 2:35.1 letterbox added in post production. Pull Colour…
This is a quick tip article that aims to demonstrate how you can quickly and effectively “Pull” colour and flare information from Cinema footage and images. We’ve also written a short guide on How To Process Photos From Cinema Lenses which we recommend that you give a quick glance. Generally, images captured by Cinema lenses will have…
It’s a herd mentality. Anamorphic lenses are that great at all, but they look great and everybody is using them, you may say? In a book called Extraordinary Popular Delusions and The Madness of Crowds, Charles Mackay provides detailed highlights of how some things get blown out of proportions by marketers (causing market bubbles) that literally…