Filmed on the Sony A7S, on a Ronin, with an SLR Magic Anamorphot 1.33x and a Rangefinder. The video was filmed in a nightclub in Yorkshire, 2 red head lights were used for lighting and the light from these was deliberately in shot to create a lot of flare. The video features the soul singer,…
Shot on CINEMA 29 / Medium Oval Aperture Filmed and Edited by Saranne Bensusan. Directed by Lawrence Mallinson. fromthe3rdstoryproductions.co.uk/
An awesome music video shot by Ian Hudson in Bradford Tunnels. Twitter: @P13DigitalMedia Shot By Ian Hudson Twitter: @P13DigitalMedia Equipment: Sony A7SII Cinema 58: Mono Yellow Coating / Thin Oval Aperture SLR Magic Anamorphot 1.33x / Range finder Attached Shot at 4k Resolution / Downscaled to 1080p http://www.kascarade.com @kascarade2010
Achieving sharp focus on manual lenses can be tricky but by using the basic features on modern digital cameras, sharp focus needn’t be a hassle. This article is primarily aimed at artists who are accustomed to digital AF lenses and are relatively new to manual lenses. For filmmaking pros, this article may seem a bit…
CINEMA 58 BLUE OPTICAL COATING, VARIABLE APERTURE TEST FOOTAGE UNGRADED Cinema 58, Blue Optical Coating, Variable Aperture. Cinema 58 Production Lens Shot on 5d MKII RAW. No colour grading applied, some colour information brought back using the infinity curve technique in Premiere Pro. 2:35.1 letterbox added in post production. Pull Colour…
This is a quick tip article that aims to demonstrate how you can quickly and effectively “Pull” colour and flare information from Cinema footage and images. We’ve also written a short guide on How To Process Photos From Cinema Lenses which we recommend that you give a quick glance. Generally, images captured by Cinema lenses will have…